Mineral silicate paints, for example those from Keim, make sense in monument preservation. If you want to paint the interior of a wall from, say, 1450, you have to consider that in 1450 one could not build airtight. Moisture will always penetrate the wall from outside. If you now apply normal cement plaster plus dispersion on the inside, you will quickly get bubbles and then widespread plaster peeling. Therefore, one plaster on the inside with lime mortar, which is breathable, and paint with silicate without dispersion (!), caution, colors like StoSil or similar do not work, here acrylic dispersion is the binder, they are not much better than, say, normal dispersion stoBasic with titanium dioxide instead of minerals as pigment. The real silicate paints are two-component products, you get a bucket with a water-based binder plus a sack of minerals and must mix both by hand or with a stirring device, then apply quickly. The result on our 1450 example wall will be a surface that lets external moisture pass through and releases it into the room. Of course, these old rooms are never really dry, and when cold, everything inside is clammy, but that is simply state of the art in 1450. Do you want that in your apartment? No. That is why you take gypsum or lime-cement plaster, hard clinker and cement mortar or Ytong adhesive, then you can also use normal interior dispersion. With eco bio etc., they can also take money from your pocket. If you buy good interior dispersion, i.e., painter quality from Maleco, Sto, Caparol or Brillux or similar, then one coat is enough and you can also do some patching without it showing up later. K.